Technique:
steel, plasticine, glass mosaic, various sizes
0,00 in
0,00 cm
Tamás Komoróczky's exhibited work — just like his earlier works — is an enigmatic object organised along tuberous points of coagulation and site-specifically created arches and rifts. Komoróczky's piece can be considered a teaser or prelude to his exhibition opening within the very same walls this September, the ideological and cultural-historical background of which is provided by Jean-Paul Sartre's essay Being and Nothingness. As the number placed next to the object indicates, the current work process can be interpreted as a crime scene investigation, a dialogical reconstruction juxtaposed to the seminal essay on phenomenology, published seventy years ago.
