Csaba Kis Róka’s work is a tableau compiled from a series of small paintings, each depicting a particular motif. The continuous reduction present in the artist’s practice for some years now has thus far been most visibly represented in his series of portraits from 2015. In the series of paintings developing the conclusion of that work even further, Kis Róka detaches himself even further from factuality, and the basis for his deformative endeavour are no longer actual, anatomically correct heads and body parts; this time, he disfigures biologically abstracted and already deformed organs.
